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Paul Smith

Paul Smith Partners with Royal Opera House for 2025 Christmas Tree

Paul Smith is bringing his signature wit and British sensibility to one of London’s most iconic cultural institutions this festive season. The designer has partnered with the Royal Opera House for a Christmas collaboration launching on 6 November, combining a bespoke designer tree with a broader thematic takeover inside the historic venue.

The centrepiece of the partnership is a Christmas tree designed by Smith and installed in the Paul Hamlyn Hall, the Royal Opera House’s glass-roofed Victorian landmark. Its design draws on themes of wrapping and unwrapping, stagecraft and the hidden world of backstage artistry that powers ballet and opera productions. The effect, according to early descriptions, is intended to capture both anticipation and transformation – two qualities deeply embedded in the performing arts.

For Smith, the project carries a personal connection to Covent Garden. “I’ve been coming here for decades,” he said, recalling visits long before the district’s reinvention, when the fruit and vegetable market still defined the neighbourhood. His first London shop opened in 1979 on nearby Floral Street, establishing a bond with the area that has lasted more than forty years.

The Royal Opera House partnership marks a return to festive design for Smith, who created Claridge’s Christmas tree last year. That installation, featuring more than 100 brightly coloured birdhouses, turned the Mayfair hotel’s lobby into a playful architectural forest and became one of London’s most-photographed decorations of the season.

At the Royal Opera House, the collaboration aims to blend Smith’s design language with the institution’s visual identity and creative craft. The takeover will extend beyond the tree, incorporating design touches across the venue that reflect the magic of performance and the meticulous work that unfolds behind the curtain.

The Royal Opera House has made a tradition of partnering with artists and designers to reinterpret its public spaces for the holidays, and Smith’s arrival marks another chapter in that ongoing dialogue between fashion, culture and place. With Covent Garden’s festive season beginning in earnest, the collaboration is poised to draw visitors both for the performances on stage and the playful, design-forward atmosphere around them.

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